Like most French film directors associated with the Nouvelle Vague, or New Wave, Luc Moullet adored the American “primitives,” directors like Sam Fuller, who fashioned their movies with sharp bold strokes and resisted polishing them to a high Hollywood gloss. Moullet started writing for the magazine Cahiers du cinéma at 18, became a professor, made a few pictures and wrote a book about director Fritz Lang. Several of Moullet’s movies have been recently released as double feature discs,


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