Like most French film directors associated with the Nouvelle Vague, or New Wave, Luc Moullet adored the American “primitives,” directors like Sam Fuller, who fashioned their movies with sharp bold strokes and resisted polishing them to a high Hollywood gloss. Moullet started writing for the magazine Cahiers du cinéma at 18, became a professor, made a few pictures and wrote a book about director Fritz Lang. Several of Moullet’s movies have been recently released as double feature discs,

July 2007
In This Issue:
Western Books & Movies
- Best Reads (And They Aren’t All Westerns)
- Captain J.A. Brooks, Texas Ranger
- A Ranger War & Billy the Kid
- A People at War
- The Cherokee Nation in the Civil War
- On the Wrong Track
- Hunt Down
- Northfield
- People of the Nightland
- Whips of the West
- The Complete Roadside Guide to Nebraska
- Wild Ride
- Tìo Cowboy
- Storytelling in Yellowstone
- Rio Bravo Still Sings
- Seraphim Falls
- A Girl is a Gun
More In This Issue
- A Tragic End to a Classic Cowgirl
- Civil War in the West
- Preservation: Song Of Praise
- Silver City Shoot-Out
- Rifle Packin’ in the Old West
- The Beecher’s Island Boys
- In 1969’s Butch Cassidy & The Sundance Kid, are the characters Joe LeFors and Lord Baltimore based on real people?
- Did cowboys in the Old West really wear that much clothes, even on sunny days?
- Where is Wyatt Earp’s second “wife,” Mattie Blaylock, buried?
- What’s the difference between an Old West marshal and a sheriff?
- Why do so many Westerns show bacon and beans as the campfire meal? And how did the characters cook the beans so fast?
- Did Bat Masterson actually have to use a cane after being shot by Sgt. Melvin King in 1876, or is this just part of the legend?
- Cheyenne, Wyoming
- Casa de Adobe
- Mining Vs. Ranching