Steve McQueen and troubled productions seemed to be synonymous. Look at any one of his classic films—The Magnificent Seven, The Great Escape, The Sand Pebbles, Bullitt and Papillon—each riddled with turmoil. Those productions, however, paled in comparison to his last Western, the highly underrated Tom Horn. The project took three years to go from concept to celluloid, had its budget slashed from $10 million to $3 million, went through four directors and two producers, and experienced


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