“They’re all real folks,” says Bill Anton, referring to the cowboys and ranchers he depicts with his oils. Most of his work—if not all—evokes the traditional working cowboy on his trusted horse surrounded by mountains and the open sky. Anton’s passion for plein air painting mirrors the ideals of frontier illustrators and other cowboy artists who produced work in the vast outdoors. His work is in the vein of Albert Bierstadt’s landscape sketches and George Catlin’s collection o

August 2012
In This Issue:
Western Books & Movies
More In This Issue
- The Mini “Buffalo Gun”
- High Doom in the Andes
- How did Chester Goode, Matt Dillon’s assistant on Gunsmoke, get his limp?
- Singing for His Supper
- A Bonanza Paradise
- Pizza in the Old West
- A Tale of Two Shirts
- Tailor-Made Re-enactor
- Larry Winget
- Bill Anton
- 10 for 10: Santa Barbara, CA
- Why did the three “Outlaw Cowboys” from your May 2012 issue tuck one pant leg into their boots?
- Did U.S. marshals have authority over local law enforcement officials?
- Who is Sheet-Iron Jack?
- Who had the fastest draw: John Wesley Hardin, Wild Bill Hickok or Doc Holliday?
- August 2012 Events
- Following the Santa Fe Trail
- Railfest
- Rodeo Ben’s Jeans
- What are the Staked Plains?