“Is that pencil?” mocks Western artist and Arizona native Roger Archibald. When people’s eyes first fall upon his black-and-white depictions of working cowboys and horses on ranches, more often than not, that is their most popular reaction. “Some stuff of mine looks more photographic than others,” says Archibald, whose work

May 2012
In This Issue:
More In This Issue
- Thom Ross
- Sizing Up
- Jerks in Arizona History
- Romance Maker
- Bonanzas & Borrascas
- Wild Bill Hickok and the Wrath of the Dead Rabbits
- 10 for 10: Leadville, Colorado
- The “Crazy” Dose
- Walking Little Big Horn
- Black Bart’s Bad Day
- Roger Archibald
- Keepers of the Seed
- Silver City’s Treasure
- Sauerkraut Scout
- Salty Thieves
- From Vaqueros to Buckaroos
- Land-Hungry Pioneers
- Song of My Heart
- Blood Storm
- The Loner: Inferno
- Bicycling the Oregon Trail
- New Mexico’s Top 10 Paintings
- Howard Bryan (1920-2011)
- Statehood of Affairs
- How Did Indians Bring Down Buffalo With Primitive Weapons?
- A Wild Time at Wildy Well
- Zebulon Pike, Thomas Jefferson, and the Opening of the American West
- Six Forgotten Film Classics
- Where did the idea for a star-shaped lawman’s badge originate?
- Who is California Joe?
- I watched a Western showing entire wagons sunk in quicksand. Did that really happen in the Old West?
- What is the Bisbee Massacre?
- What is the purpose of a saddle ring?
- The May 1975 Real West magazine published a photo, submitted by George Hart, featuring numerous Old West icons. Is it authentic?
- 10 for 10: St. Louis, Missouri
- Got a Spare?
- Baseball’s Gateway to the West