Everybody wants to make a Western. It’s a fact. Few directors of note, if you were to ask them, would say, “I’m not interested in Westerns; I have my heart set on another slasher movie or romantic comedy.” What holds them back is the idea that Westerns don’t do well at the box office. Yet Westerns are one of those toy chests everybody wants to open. Actors, directors, writers—males for the most part—all want to play with the figures inside the box. The Western formulas are, t


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