Over the last century, critics have struggled with categorizing the literature of the American West, sweeping laureates of the genre such as Mark Twain, John Steinbeck, Mari Sandoz and Willa Cather into one category of literati, while easily grouping the ever-popular Zane Grey, Max Brand and Louis L’Amour as authors of “Classic Westerns.” Baltimore native and Texas resident Philipp Meyer has written a major work, The Son (Ecco/HarperCollins, $27.99), of pedigree and prose that should s

October 2013
In This Issue:
More In This Issue
- Dibs on Doc
- Son of a Gunfighter
- From Silver Screen to Gun Room
- The Lovable Liar
- Mountain Charlie
- History Mystery Solved? Hiding in Plain Sight
- Favorite Docs on Film
- Robert Taylor Westerns
- Uptop in the Spanish Peaks
- New Mexico: A History
- The Call of the Road
- Soaking Up the Truth
- October 2013 Events
- Vested Interest
- The Beef Craze
- Blood, Glory & Greed in Texas
- The Outlaws: Tales of Bad Guys Who Shaped the Wild West
- Rush to Gold: The French and the California Gold Rush, 1848-1854
- History and Art Along the High Road
- Willcox, Arizona
- Of Grave Concern: An Ophelia Wylde Paranormal Mystery
- King of the Covers
- Extraordinary Art of the West
- What is Stuart Lake’s middle name?
- What information do you have on that old cowboy staple, coffee?
- What happened to Etta Place?
- The June issue shows Doc Holliday’s tombstone in the Linwood Cemetery in Glenwood Springs, Colorado. Is that his real burial spot?
- Rough Drafts 10/13
- How common was postmortem photography in the Old West?