Strangely, the Blu-ray package of Michael Mann’s The Last of the Mohicans does not have the isolated musical track that accompanied the 2001 DVD package. (Fans really dug Trevor Jones’s and Randy Edelman’s split score.) But the strange history of this movie and its digital incarnations only start there. When a director monkeys with a subsequent version of his film, he usually does so to fix something—an edit, a flubbed overdub—or to take advantage of newer technologies, as George Lu


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