A.R. Mitchell's paintings are so "moving."
His name won’t trip off the tongue, but everyone knows his images: If the horses aren’t bucking, they’re seriously considering it; if the cowboy is still in the saddle, it’s because the next jolt hasn’t thrown him yet; there’s always, always action.
The paintings of Arthur Roy Mitchell come as close to a “moving picture” as an oil painting can get. That’s what excited pulp magazine readers from the 1920s to the 1940s as he produced 1
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